All Ragas of Raga Melody
Alankar Saralies - The basics of indian classical music
Alankar Saralies 2 (Advanced), Sing along to improve the range of your voice.
Raga Bhoop (Raag Bhoopali / Bhoopali - Audav Raga in Hindustani Classical Music)
Raga Bhoop, also known as Raag Bhoopali or Bhoopali, is an Audava (five-note) raga in Hindustani classical music, one of the first ragas students learn. This popular Indian classical raga is widely used in Hindustani vocal music, instrumental music, Indian folk songs and Bollywood film songs. Raga Bhoop, Raag Bhoopali, Bhoopali raga, Audav raga, pentatonic raga, Hindustani classical music, basic raga for beginners, Indian classical scales, popular raga for songs.
Raga Durga (Raag Durga - Pentatonic Audav-Audav Raga from Bilawal Thaat)
Raga Durga (Raag Durga) is a pentatonic Audav-Audav raga in Hindustani classical music that belongs to the Bilawal thaat. It uses only shuddha (natural) swaras and is typically sung in the early night, evoking a blend of Bhakti rasa (devotional mood) and Veer rasa (heroic mood). Raga Durga, Raag Durga, Durga raga notes, Audav-Audav raga, Bilawal thaat raga, pentatonic Hindustani raga, devotional raga, evening raga, basic Hindustani classical ragas.
Raga Sarang (Raag Sarang / Saranga - Pentatonic Afternoon Raga in Hindustani and Carnatic Music)
Raga Sarang (Raag Sarang or Saranga) is a beautiful pentatonic raga performed in the late afternoon or early evening in Hindustani classical music and has an equivalent in Carnatic music. It is known for its melodic sweetness, bright character and emotional expressiveness, often used to convey romance and longing. Raga Sarang, Raag Sarang, Saranga raga, afternoon raga, pentatonic Hindustani raga, Sarang aroh avroh, Indian classical raga, Sarang lakshan geet, North Indian classical music.
Raga Bhairav (Raag Bhairav - Early Morning Devotional Raga in Hindustani Classical Music)
Raga Bhairav (Raag Bhairav) is an ancient and powerful early-morning raga in Hindustani classical music, associated with devotion, serenity and deep contemplation. It is often used to begin concerts and is known for its serious, meditative mood and characteristic use of komal Re and komal Dha. Raga Bhairav, Raag Bhairav, Bhairav raga notes, morning raga, devotional Hindustani raga, Bhairav aroh avroh, Bhairav bandish, classical Indian raga, sacred ragas for meditation.
Raga Desh (Raag Des / Raga Des - Evening Pentatonic Raga in Indian Classical Music)
Raga Desh (Raag Des) is an evening pentatonic raga performed in both Hindustani and Carnatic classical music traditions. It is famous for its evocative, romantic and patriotic character and is often featured in bhajans, patriotic songs and film music. Raga Desh, Raag Des, Des raga notes, evening raga, Desh aroh avroh, patriotic raga, Indian classical raga, light classical Desh, Desh bandish, popular ragas in Indian music.
Raga Kedar (Raag Kedar / Raga Kedara - Devotional Evening Raga in Hindustani Classical Music)
Raga Kedar, also known as Raag Kedar or Raga Kedara, is a popular and prominent Hindustani classical raga performed in the late evening and early night. It uses all seven swaras and is famous for its serene, meditative and spiritual character, often associated with bhakti (devotion) and contemplation. Raga Kedar, Raag Kedar, Raga Kedara, evening raga, devotional Hindustani raga, Kedar notes, Kedar aroh avroh, Indian classical music raga list, spiritual ragas for meditation.
Raga Hamir (Raag Hameer / Hamir Raga - Evening Hindustani Classical Raga)
Raga Hamir (Raag Hameer) is an evening Hindustani classical raga known for its serene, devotional and contemplative mood. This raga is often performed in khayal and bandish compositions and is appreciated for its majestic, expansive melodic movements. Raga Hamir, Raag Hameer, Hamir raga, evening Hindustani raga, devotional Indian raga, Hamir bandish, Hamir aroh avroh, Hindustani classical vocal, North Indian classical ragas.
Raga Kalavati (Raag Kalawati / Kalavati Raga - Devotional Late-Night Raga)
Raga Kalavati (Raag Kalawati) is a popular late-evening and night raga in both Hindustani and Carnatic classical music. It is associated with devotion, love and gentle pathos and is commonly used in bandish, bhajan and film compositions. Raga Kalavati, Raag Kalawati, Kalavati raga notes, late-night raga, devotional Indian raga, Kalavati aroh avroh, Hindustani classical raga, romantic raga, Kalavati bandish, Indian music scales.
Raga Asavari (Raag Asavari / Asaavari - Audhav-Sampoorna Raga from Asavari Thaat)
Raga Asavari (Raag Asavari or Asaavari) is an Audhav-Sampoorna raga from the Asavari thaat in Hindustani classical music, using komal Ga, Dha and Ni. Sung in the second prahar of the day, it has a gentle, introspective and slightly pathos-filled mood, ideal for classical bandish and vilambit khayal. Raga Asavari, Raag Asavari, Asaavari raga, Asavari thaat raga, Audhav-Sampoorna raga, Asavari notes, Asavari aroh avroh, Hindustani classical raga, morning raga, Indian classical vocal.
Raga Bhimpalasi (Raag Bhimpalasi - Afternoon Raga from Kafi Thaat)
Raga Bhimpalasi (Raag Bhimpalasi) is a popular afternoon raga from the Kafi thaat in Hindustani classical music. It is known for its plaintive, yearning and devotional mood and is widely used in khayal, thumri and light classical compositions. Raga Bhimpalasi, Raag Bhimpalasi, Bhimpalasi raga notes, Kafi thaat raga, afternoon raga, Bhimpalasi bandish, semi-classical raga, Indian classical vocal, Bhimpalasi aroh avroh.
Raga Bilawal (Raag Bilawal - Shuddha-Swara Major-Scale Raga in Hindustani Music)
Raga Bilawal (Raag Bilawal) is the fundamental shuddha-swara raga that corresponds to the natural major scale in Western music and forms the basis of the Bilawal thaat. It is widely used to teach basic notes, alankars and simple compositions in Hindustani classical music. Raga Bilawal, Raag Bilawal, Bilawal thaat, shuddha-swara raga, major-scale raga, basic Indian classical raga, Bilawal aroh avroh, beginner raga for students, Hindustani music theory.
Raga Shivaranjani (Raag Shivaranjani - Haunting Pentatonic Raga in Indian Music)
Raga Shivaranjani (Raag Shivaranjani) is a haunting pentatonic raga popular in both classical and film music for its emotional, plaintive and slightly sad mood. It is widely used in movie songs, bhajans and light classical compositions. Raga Shivaranjani, Raag Shivaranjani, Shivaranjani raga notes, pentatonic Indian raga, sad raga, emotional raga, film songs in Shivaranjani, Indian classical raga, light classical music.
Raga Peelu (Raag Pilu / Peelu - Light Classical Raga for Thumri and Semi-Classical Songs)
Raga Peelu (Raag Pilu) is a light classical raga frequently used in thumri, dadra and semi-classical songs. It has a flexible, romantic and expressive character, often mixing notes from multiple thaats, making it a favorite in Bollywood film songs and ghazals. Raga Peelu, Raag Pilu, light classical raga, thumri raga, semi-classical Indian music, Peelu raga notes, romantic raga, Bollywood raga, Hindustani raga for ghazals.
Raga Pahadi (Raag Pahadi - Folk-Based Mountain Raga in Indian Classical and Film Music)
Raga Pahadi (Raag Pahadi) is a folk-based raga inspired by mountain and hill melodies, widely used in light classical, folk and Bollywood film music. Its simple, tuneful structure and rustic charm make it a favorite for patriotic songs, folk tunes and romantic melodies. Raga Pahadi, Raag Pahadi, Pahadi raga notes, folk raga, mountain raga, light classical raga, Bollywood Pahadi songs, Indian folk melodies, patriotic raga.
Raga Malkauns (Raag Malkauns - Powerful Late-Night Pentatonic Raga)
Raga Malkauns (Raag Malkauns) is a majestic late-night pentatonic raga using komal notes, revered for its deep, meditative and powerful character. It is one of the most important Hindustani classical ragas and is often performed in serious, introspective concerts. Raga Malkauns, Raag Malkauns, Malkauns raga notes, late-night raga, pentatonic Hindustani raga, serious raga, Malkauns bandish, Malkauns aroh avroh, classical Indian music.
Raga Gauri (Raag Gauri - Devotional Raga from Guru Granth Sahib / Sikh Kirtan)
Raga Gauri (Raag Gauri) is a devotional raga mentioned in the Guru Granth Sahib and used extensively in Sikh kirtan and shabad singing. It carries a serene, contemplative and spiritual mood suitable for meditation and prayer. Raga Gauri, Raag Gauri, Gauri raga Guru Granth Sahib, Sikh kirtan raga, devotional Indian raga, shabad raga, spiritual Hindustani raga, meditation music raga.
Raga Abhogi (Raag Abhogi - Evening Pentatonic Raga for Beginners)
Raga Abhogi (Raag Abhogi) is an evening pentatonic raga commonly taught to students through saragam patterns and lakshan geet. It has a calm, introspective feel and is used in both classical and semi-classical compositions. Raga Abhogi, Raag Abhogi, Abhogi raga notes, pentatonic evening raga, beginner raga in Hindustani music, Abhogi aroh avroh, Abhogi bandish, Indian classical scales.
Raga Adana (Raag Adana - Late Night Heroic Raga from the Kanada Family in Hindustani Classical Music)
Raga Adana (Raag Adana) is a powerful late night raga from the Kanada family in Hindustani classical music, known for its brilliant upper-octave phrases, energetic taans and heroic mood. Often performed toward the climax of an Indian classical music concert, this romantic and devotional raga combines veer rasa (heroic energy) with utsaha (enthusiasm), making it popular among vocalists and instrumentalists alike. Raga Adana notes, Raag Adana aroh avaroh, Adana raga pakad, Kanada raga family, late night raga, Hindustani classical raga for concerts, Indian classical music for meditation and performance.